Goodnight, Beautiful Women is a debut collection of eleven interconnected short narratives all revolving around young girls and burgeoning women in coastal Maine. I would not call this a collection of short stories; rather, they are brief scenes that give an overall sense of the confusion of desires of young women on the verge of understanding the motives of men.
The writing in this collection is intense. Noyes’ imagery in these short narratives creates piercing anticipation. The scenes she creates are gripping from the outset, with familiar but haunting characters. I loved the fullness of the stories she wove. One of my favorites, “Drawing Blood”, was reminiscent of Sarah Waters’ historical fiction. The stories are all about relationships, between husbands and wives, or between mothers and daughters, or first loves. The stories are dark, melancholy, and without redemption, usually leaving the main character hopeless.
The thing about literary short stories, however, is that often they’re just not stories. The stories in Goodnight, Beautiful Women were scenes, or paintings, or like the beginning-middle chapters of a powerful novel. These stories present an overall mysterious feeling of depression, but they weren’t stories as I’m used to stories. I’m expecting a beginning/middle/end story arc, an enticing story with a satisfying denouement, and that is not what you get here. With each of these stories Noyes easily grabbed my heart with riveting beginnings and then left me, wilted and abandoned, wondering what happened.
Noyes definitely has the skill and literary chutzpah to pull off a great collection here, but if you’re like me and like resolution, you may be disappointed. I’m looking forward to her next work. Many thanks to Netgalley, Grove Atlantic, and Anna Noyes for the advance copy.